Creative Technologist · Tokyo / everywhere
I direct code & AI to build films, games, shaders and whole worlds — one operator, a swarm of agents, the bleeding edge.
I direct code & AI.
I decide what gets built, then drive code and a swarm of agents until it ships — fluent in both.
Twenty years of taste from film and post, pointed at generative AI and real-time graphics. I live a release ahead of the public: testing frontier models, breaking them, and wiring them into pipelines that actually ship. The craft is the same as it always was — judgment, rhythm, story. The tools just got superhuman.
End-to-end generative ad films and brand worlds — concept, board, shot direction, grade. Minutes, not months.
Hand-written GLSL — procedural weather, lighting and fluid for 2D canvas & WebGL. The thing behind this page.
A from-scratch WebGL engine, an MMO backbone, and worlds you can actually walk into.
Turning raw AI output into clean, lit, game-ready assets — matting, depth, PBR, VFX, automated.
A local-first harness that turns a brief into a finished pack — agents do the work, I make the calls.
Shipping real products — realtime, on-device, privacy-first. Not demos.
A fictional energy brand I built from nothing: product canon, an invisible match-cut spanning the model's 15-second wall, label-locked across every legible frame. Brief to finished hero film in minutes — proof the whole pipeline is real.
The method I kept rebuilding until it was the best around: neural matting + luminance keeps the glow, depth and normals let every frame relight in real time. End-to-end, near-automated.
Hand-directed GLSL: volumetric clouds, thunderstorms and chromatic post for 2D-canvas / WebGL that nobody else is shipping — the live engine behind a wasteland anime franchise.
A full sprite/object studio I directed into existence inside Cursor: import a diffuse, get normal / depth / emission + a clean mask, auto-aligned into an engine-ready atlas. No hand-painting.
A Cursor skill where the director, editor and shot-caller are all agents — a brief goes in, cinematic anime comes out. The same wasteland world, told as film.
Multi-direction animated unit sets — generated, matted and dropped straight into a live runtime viewer. Hundreds of frames, one consistent art language.
Base-building, tactical combat, resource loops and on-chain identity — a playable browser MMO. Art, engine and netcode, directed solo.
The reels above are real captures — but the hero and the field below run live in your browser, not video. The hero's a domain-warped GLSL nebula; this is a curl-noise wind field. Move your cursor through it.
I'm medium-agnostic and tool-greedy. I don't memorize syntax — I know what's possible, who to point at it, and when it's wrong.
Collaborations, frontier-AI experiments, real-time graphics, films, worlds. If it sounds impossible and fun, I'm in.